The first grapes came in at 9 a.m., huge purple clusters that were both juicy-sweet and a bit tangy to the taste. Instead of half-ton bins these arrived in small crates which we tossed one by one straight into the press; these grapes were VIPs, receiving a gentle whole-cluster press rather than the usual crushing. As we lugged crate after crate up a makeshift staircase and dumped it into the press under the blistering sun, knowing we had a 14-hour day ahead of us, Rolf shouted, “smile, guys! This is one of our most important wines!”
We weren’t making cabernet, or a nice late harvest dessert
wine, or champagne. No, this was White Zinfandel Day.
Offer American wine geeks a glass of white zinfandel and
they’ll most likely laugh, snort incredulously, or run the opposite direction.
The sweet, super cheap zinfandel incarnation that gave “blush” wine a bad name
in the U.S. is like the most ditzy cheerleader at your high school: popular
enough, but probably not destined for greatness. But South Africa, with its experimental,
up-and-coming atmosphere, huge number dynamic young winemakers from all over
the world, and recent explosion of high-quality rosé wines, is the perfect
environment to reinvent this maligned style. That’s exactly what Rolf has done.
On my first day at Blaauwklippen Rolf and Albert took us to
lunch at the Blaauwklippen restaurant and suggested we try a glass of white
zinfandel. I had to hide my disappointment, but when I tasted the wine I
realized immediately that this was no boxed wine: our white zinfandel is
absolutely lovely. With a refreshing summery nose of strawberries and star
fruit, a snappy crisp finish, and a gorgeous hibiscus color, it’s a serious
wine that sells for about US$15 – rather high for a South African white. When I
mentioned this wine to my roommate Erik, who worked in the cellar last year, he
chuckled. “Just wait for White Zinfandel day during harvest – it’s the longest
day of the season,” he said. “That wine will kick your ass.”
Our white zinfandel, which we call White Zinfandel Blanc de
Noir on the label to differentiate from the American version, is time-consuming
because it has to be pressed immediately; we can’t just dump it in the crusher,
pump it to a tank, and let it sit for a few days. Because it’s a rosé we want
minimal skin contact (so it won’t draw too much color or tannin from the skins)
so we put whole clusters rather than crushed grapes into the press. But first,
we needed a whole crate crushed for juice so we could analyze the sugar and
acidity. I was given the absolutely wonderful job of crushing the grapes with
my feet. Albert knows me well enough to know that I love getting my hands (or
feet) dirty: on a hot day standing in a bin of cool grape juice feeling the
berries explode between my toes was fantastic.
When we analyzed the juice, our sugar was at 23 Balling and
our TA was 12.2 – quite high acidity for this hot region. Rolf was concerned
about the pucker factor and wanted to deacidify, but when he gave samples to
Christoph and me to taste we just shrugged and smiled. Being from cold-weather
regions where nice acidity is the norm, we weren’t concerned and told Rolf he
should wait as long as possible before removing acid. In our opinion, with this
style too much acid is better than too little, but he’s the winemaker so we’ll
see what he decides.
Blaauwklippen is the only wine farm in South Africa that
makes a white zinfandel. “It’s something special that we do, it’s a curiosity,
it’s something new for people to try,” says Rolf. I remarked to him that South
African rosé in general is some of the best that I’ve ever had, and that it
seems to be a style undergoing a renaissance here. Not only is it a style that
winemakers take very seriously, it’s a chance for creativity: I’ve tasted wonderful
rosé from mourvedre, cab franc, cab sauv, pinotage, and petit verdot here, the
highlight being Peter Falke’s 100% cab sauv whole-cluster-pressed example,
which has a gorgeous honey apricot nose and delectably delicate palate. The perfect
picnic wine, good South African rosé
is complex, lively, edgy, and uniquely refreshing on a hot day.
“Stylistically rosé has wonderful potential,” Rolf says. “Especially with the
younger generation who are more willing to experiment and try something new,
people are finding it can be a very nice wine.”
White Zinfandel Day did indeed kick my ass – after hauling
40 lb crates into a press, shoveling the pressed clusters of skins into a
truck, and repeating twice, we got home after a 14-hour day with aching backs
and legs. As I stumbled home picking grape skins out of my hair and collapsed
in bed, I thought of the number of times I’ve made fun of white zin in my life,
and decided that karma had caught up with me.
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